The Making of Sand and Smoke

It came about, quite simply, when I asked myself the question: what would a book look like that had both dragons and cowboys?

Good news everyone!

I’m creating an exciting new series for my blog!

The Making of… is an in-depth look at each book I write. I’ll examine one book per blog post. I’ll examine characters, story, the concept, individual scenes, and maybe more all in an attempt to give more information than is available anywhere else on how that book came to be.

First up, I’m starting with Sand and Smoke. It’s a dragon-rider western, and it came about, quite simply, when I asked myself the question: what would a book look like that had both dragons and cowboys?

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After that idea came to me, I began to brainstorm. Among my favorite fantasy authors currently is Brandon Sanderson, and I was inspired a lot by his Mistborn series when first starting this book. You should check it out!

In particular, I loved the idea of a crew of criminals working together against impossible odds. So out of that was born the idea for my crew in the western side of my story to take on this terrifying weapon.

At the same time, however, I wanted to make my story very unique and based on things in real history and the world at large. For Sand and Smoke, I did a lot of research and a lot of plotting and outlining. More than I probably have done for any other project. I visited Powell’s in Portland, visited two different libraries, and read through a number of different books about things like the various mythologies surrounding dragons, what life was like in the old west, and world religions.

I compiled a whole document, actually, detailing what things were like in the world I had created, including the food people ate, the religions they practiced, what the educational systems were like, and more.

In the early drafts, the nations of Eltolix and Arus were quite a bit culturally different. Eltolix takes a lot of inspiration from Asian culture and mythology. The Sun dragons are serpentine like Chinese, Japanese, and Korean dragons, and they have magical abilities. Also, the Old Religion of Eltolix shares similarities with Hinduism. Arus, or at least southern Arus, is largely based off the old west with saloons, gunfights, and a kind of lawless feel. And their religion is largely based off of Christianity.

With subsequent drafts, I molded these two cultures together by attempting to add more cultural elements that both countries share. Things like both calling their parents by the terms mama and papa, both referring to their religious centers as temples. In large part, I mixed in elements I could find of Aztec and Mexican culture into both countries. Since they were separated by a civil war 200 years ago, I wanted them to feel like countries that could have once been one and the same, and I have some Mexican ancestry which inspired me.

After molding the world, I created the characters. I did a lot of research on tvtropes.com to come up with some character archetypes that I thought would work well together and weren’t too often used. I rounded out those character archetypes with their own backgrounds and skills.

Then I plotted out the novel, trying to give all of my characters at least one arc, and my major two, Maya and Al, more than one.

When writing the chapters, I tried to advance at least two plot points per chapter. But even with all the plotting I did, there was a lot I realized wasn’t working in the revisions.

Al’s chapters probably went through the most extensive revisions. In the early drafts, I had his power being the ability to dodge bullets. I realized after draft one that that power didn’t work for the purposes of my novel, because of the big reveal about him at the end. So I changed it to him being able to control the wind.

Another major change I made to Al’s chapters was having him meet Li a lot sooner. Originally, he met her about halfway through the book, but I brought that scene up to roughly the quarter-way through mark and I fleshed out her character and background a lot more.

I also fleshed out a lot of Al’s backstory. In the first draft, he only touched briefly upon his mother’s death. But in subsequent drafts, I added a lot of flashbacks to that point in his life. Though I don’t usually like flashbacks, I thought they were important for him in this book. Because they made him much more relatable. Rather than just being a lone boy who’s riding through the desert engaging in battles with gunslingers, suddenly those flashbacks help us to see where he’s come from, and help us relate to him and see the pain he’s gone through.

The idea for the Wesech dragon plot was, like the criminal crew plot, born out of my love for Sanderson. In particular, I was inspired by his intermissions in The Stormlight Archive novels. In addition, based on my world-building I thought it’d be cool to have both western and eastern dragons, so since Maya was already going to be a dragon-rider on an eastern-type dragon, I figured the Wesech’s world would be a good one to explore during the intermissions.

Other novels I read while writing that inspired features of Sand and Smoke included Six of Crows, Child of the Daystar, Stephen King’s The Gunslinger, and Sanderson’s Wax&Wayne trilogy.

One thing I struggled with was how to weave the dragon plot into the main thread, and I did a lot of work in rewrites to make it smoother. Originally there was very little in Al’s chapters about Wesechs in Arus, but I worked to increase their presence in subsequent drafts.

I started writing Sand and Smoke in October of 2018, and I wrote it in spurts until I finished the first draft in April of 2019. I wrote mostly all of Al’s chapters together, and then all of Maya’s chapters switching only sporadically until I got to part 4.

I think the exact sequence I wrote in was all of Al’s part 1 chapters, all of Maya’s part 1 chapters, one Wesech chapter, then all of Al’s part 2 and 3 chapters, all of Maya’s part 2 and 3 chapters, another two Wesech chapters, and then part 4.

In regards to Maya’s chapters, the most substantial change I made while revising was at the end of part 3. Originally, she left the school fairly peacefully, but after notes from some members of my writing group, I realized Vidal would not let her do that. In subsequent drafts, I made her departure much more rocky, and I also made her deal much more with the consequences of her choice regarding Manzin.

While writing the first draft, I was in a writing group here in Portland, OR and shared pages with them, gathering feedback and improving it to some extent as those pages went.

But after finishing the draft and making those changes, I sent it off to my close friend Alex for him to beta-read it, and then made a lot of comprehensive revisions over 3 months: July, August, and September, both working on things that my writing group had suggested which I hadn’t managed to find a way to do before sending it to Alex, and working on things Alex suggested after reading it.

At that point the book became what you can read now. Fully formed and fleshed out with Al having the power to manipulate the wind, the Wesechs plotting something with Arus, and Maya’s single-mindedness driving her to make the choices she does.

One Last MIQ: The six most interesting questions I missed (Part 2)

I’ve decided to retire the MIQ blog…and to convert it.

Being that it’s early in my author career, things are very fluid. One thing that won’t change is I won’t stop writing books. I have some plans about how I am going to elevate my author career, but as I test and experiment with things, I’ve decided to retire the MIQ blog…and to convert it.

Instead of answering the most interesting questions about various bestsellers, I’m going to focus this blog on my day to day author activities. And possibly I’ll highlight other things in my life. But I will keep it mostly writing related.

One part of that conversion will be accepting review requests. Over the last year, I’ve read a few indie published novels, and reviewed them on Amazon. However, in attempting to gather reviews for my own books, I’ve come to appreciate just how hard it can be, especially when starting out, to get those reviews.

So if you are an author, check back in a week or two for an option to request a review for your novel. One thing I won’t be doing is creating a book blog. I leave that to those more skilled than I. But I like reading and would not mind helping some indie authors out with getting reviews on Amazon, Goodreads, Barnes&Noble, Bookbub, etc.

Now, I’ll get to my last MIQ blog post.

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Q#1: If you could add anything to Camp Half-Blood, anything, rules, places, items, etc., what would you add?

A: Honestly, probably more interaction with the gods. I know it’s not in greek mythology for them to interact with their kids more, but I feel like they should do it, so many of the kids just get abandoned and not claimed. Or at least maybe there should be a movement from some of the campers or counselors to try and convince the gods to do that.

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Q#2: Who would win in a fight, Katara or Amon?

A: Probably Amon. But it depends. As we know Katara can bloodbend on the full moon. Amon can blood bend any time he wants. So if it’s not the full moon, then Amon wins. But if it is, then they are both blood benders. Would one be stronger than the other? And though Amon has bloodbent more than Katara, Katara probably has just as much fighting experience as him, and there would be more to their fight than just bloodbending if their bloodbending cancelled each other out. So if it was a full moon, I could see Katara winning the fight.

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Q #3: Which kind of Twinborn would you most prefer to be (Mistborn)?

A: Honestly I think it would be awesome to be able to fly, so I would like to be a Coinshot for one of my abilities. Then for the other one I would probably take the steel feruchemical ability, and be a Steelrunner too. That would strengthen my abilities too because they both use the same metal.

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Q #4: Do I have to read the Mistborn trilogy to get Wax&Wayne?

A: I would say no. Brandon Sanderson repeats a lot of how the magic system and the world works in the beginning of his books. So if you hadn’t read Mistborn, you would still understand Wax&Wayne. However, that said, I believe you will appreciate Wax&Wayne a lot more if you read Mistborn first. Because there are a lot of things that carry over. It is kind of like cookies and milk. You can drink milk without cookies, and you can eat cookies without milk, but they taste better together.

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Q #5: Which one is your favorite character in Ken Follett’s Century Trilogy?

A: In Book 1, I loved reading Grigori’s chapters, and I also loved reading about Ethel. In book 2, my favorites were probably Daisy and Lloyd. In book 3, I actually really came to appreciate Dimka and I would say Walli, but just at the beginning of the book. It’s hard to narrow it down even that far. But if I had to choose a favorite character overall, it would probably be Daisy. Just because her character changes so much, and in such a great way, and I really think she is probably the most well-written character in the entire series.

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Q #6: Who is your favorite fictional dragon from books?

A: I love Sapphira from Eragon. Maybe I am biased because she is one of the first dragons I read about in a book, back in 6th grade. But she is really human at heart, she’s not just some wild creature or an all-knowing godlike creature, she interacts and converses in meaningful ways with the world, and has a magnetic personality.

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